@ERCboxoffice WOW! Did NOT see that coming at all. Good for them.
It’s time for ABC to do their presentation for next season. As always, new shows are in bold.
8:00 p.m. “Dancing with the Stars” (two-hours)
10:00 p.m. “Castle”
8:00 p.m. “Shark Tank”
9:00 p.m. “Dancing with the Stars the Results Show”
10:00 p.m. “The Forgotten”
8:00 p.m. “Hank”
8:30 p.m. “The Middle”
9:00 p.m. “Modern Family”
9:30 p.m. “Cougar Town”
10:00 p.m. “Eastwick”
8:00 p.m. “Flash Forward”
9:00 p.m. “Grey’s Anatomy”
10:00 p.m. “Private Practice”
8:00 p.m. “Supernanny”
9:00 p.m. “Ugly Betty”
10:00 p.m. “20/20”
8:00 p.m. “Saturday Night College Football”
7:00 p.m. “America’s Funniest Home Videos”
8:00 p.m. “Extreme Makeover: Home Edition”
9:00 p.m. “Desperate Housewives”
10:00 p.m. “Brothers & Sisters”
“The Bachelor” will air Monday nights from 8:00-10:00 p.m. following the run of “Dancing with the Stars,” and “Scrubs” and “Better Off Ted” will air at 9:00 p.m. and 9:30 p.m., respectively, following the run of “Dancing with the Stars The Results Show.” “LOST” will return at an undetermined time during the season.
Courteney Cox stars as a recently divorced single mother exploring the honest truths about dating and aging in our beauty and youth obsessed culture.
“Cougar Town” stars Courteney Cox as Jules, Christa Miller as Elle, Busy Philipps as Laurie, Dan Byrd as Travis, Brian Van Holt as Bobby, Josh Hopkins as Grayson and Ian Gomez as Andy.
The series is from ABC Studios. Bill Lawrence is executive producer/writer/director, Kevin Biegel is writer/co-executive producer, and Courteney Cox and David Arquette are executive producers.
Sean’s Take: While not my cup of tea, this might have some longevity to it. It’s a timely issue in our society as women are owning their sexuality much later into life than they used to. Might go to a second season, I’m not sure yet.
“THE DEEP END”
Each year one of LA’s most prestigious law firms recruits four young lawyers from the finest law schools worldwide. The only way for these first-years to survive is to support each other even as they compete against one another in the cutthroat arena of high-end law. Sex, greed, romance, betrayal it’s all part of being a first year associate at Sterling Law.
“The Deep End” stars Matt Long as Dylan Hewitt, Ben Lawson as Liam Priory, Tina Majorino as Addy Fisher, Norbert Leo Butz as Rowdy Kaiser, Leah Pipes as Beth Bancroft, Billy Zane as Cliff Huddle, Sherri Saum as Susan Oppenheim and Clancy Brown as Hart Sterling.
The series is produced by Twentieth Century Fox Television. David Hemingson is executive producer/writer. The pilot was directed by Michael Fresco.
Sean’s Take: I don’t know why, but I’m getting a real Dirty Sexy Money vibe off of this one. Any time ABC tries to focus on “sex” and “greed” they pretty much bungle the job. It just isn’t who they are.
Three very different women find themselves drawn together by a mysterious man who unleashes unique powers in each of them, and this small New England town will never be the same. The series is based on the popular movie “The Witches of Eastwick” and on the novel of the same title by John Updike.
“Eastwick” stars Rebecca Romijn as Roxie Torcoletti, Lindsay Price as Joanna Frankel, Jamie Ray Newman as Kat Gardener, Paul Gross as Darryl Van Horne, Sara Rue as Penny, Veronica Cartwright as Bun, Johann Urb as Will, Jon Bernthal as Raymond and Ashley Benson as Mia.
The series is produced by Warner Bros. Television. Maggie Friedman is executive producer/writer. The pilot was directed by David Nutter.
Sean’s Take: … no, no and NO. It worked as a movie, it will not work as a television series. I am just boggled how this even got past concept to pilot. Bad, bad, horrible idea. If this makes it past six episodes I’ll be shocked.
When a mysterious event causes the entire world to black out, humanity is given a glimpse into its near future, and every man, woman and child is forced to come to grips with whether their destinies can be avoided or fulfilled.
Adapting award-winning author Robert J. Sawyer’s revolutionary novel, executive producers David S. Goyer (visionary co-writer of “Batman Begins” and “The Dark Knight”) and Brannon Braga (“24,” “Star Trek: Enterprise”) invite you to embark on a journey to answer the question, “if you knew what your future held, what would you do?”
“Flash Forward” stars Joseph Fiennes as Mark Benford, John Cho as Demetri Noh, Jack Davenport as Lloyd Simcoe, Sonya Walger as Olivia Benford, Courtney B. Vance as Stan Wedeck, Brian O’Byrne as Aaron Stark, Christine Woods as Janis Hawk, Zachary Knighton as Bryce Varley and Peyton List as Nicole.
The series is from ABC Studios. David S. Goyer is executive producer/writer/director. Brannon Braga is executive producer and co-wrote the pilot. Other executive producers are Marc Guggenheim, Jessika Goyer, Vince Gerardis and Ralph Vicinanza. Guggenheim will be the showrunner, along with Goyer.
Sean’s Take: It was a novel, and you think you can take it to series length? Maybe a mini-series, but an ongoing serial? Seems like another one of those “would have worked in another format” deals.
From executive producer Jerry Bruckheimer comes a crime show in which a team of dedicated amateurs work on cases involving unidentified victims. After the police have given up, this group must first solve the puzzle of the victim’s identity in order to then help catch the killer. They work to give the deceased back their names, lest they become — The Forgotten.
“The Forgotten” stars Rupert Penry-Jones as Alex, Reiko Aylesworth as Linda, Michelle Borth as Candace, Bob Stephenson as Walter, Anthony Carrigan as Tyler and Rochelle Aytes as Detective Grace Russell.
The series is produced by Bonanza Productions Inc. in association with Jerry Bruckheimer Television and Warner Bros. Television. Mark Friedman is executive producer/writer, Jerry Bruckheimer and Jonathan Littman are executive producers, KristieAnne Reed is co-executive producer and Danny Cannon is executive producer/director.
Sean’s Take: I don’t know on this one. Jerry Bruckheimer is the man behind the CSI franchises, so he knows how to rope an audience, but it feels a bit too much like Cold Case from CBS to me. And the group being amateurs feels a bit odd. Don’t know on this one, not sure there has been much like it, will have to hook viewers pretty quickly to go long.
Kelsey Grammer stars in this timely comedy as Hank Pryor, a titan of industry who suddenly finds himself out of work, almost out of money and around a wife and kids for whom he’s never made much time. Despite his recent setbacks, however, Hank is confident he’s on the road back to the top. He knows he is destined to return to greatness. And he is just not the greatness he imagines.
“Hank” stars Kelsey Grammer as Hank, Melinda McGraw as Tilly, David Koechner as Grady, Macey Cruthird as Maddie and Ryan Wynott as Henry.
The series is produced by Bonanza Productions Inc. in association with McMonkey Inc., Grammnet Productions, Werner Entertainment and Warner Bros. Television. It is written by Tucker Cawley. Tom Werner, Tucker Cawley, Kelsey Grammer and Mike Clements serve as executive producers. The pilot was directed by James Burrows.
Sean’s Take: This is either going to be a huge hit or a huge flop, there is no middle ground on this one. For it to be a hit, it would require people to want to revel in what has happened to the real titans of industry in the USA as of late. However, that could also be its undoing as people watch TV and movies generally to forget the miseries of real life. I love Kelsey Grammer, but this concept is going to walk a real tightrope with viewers on how much they want to visit this subject this soon after all of the economic issues.
Haplin, Minnesota, “Happy Town,” is approaching almost a decade of peace after being riddled for years by unsolved kidnappings. But in the wake of this small town’s first crime in seven years, some dark truths are being revealed about some familiar faces. They say every town has its secrets that doesn’t even begin to describe Happy Town.
“Happy Town” stars Geoff Stults as Tommy Conroy, Lauren German as Henley, Amy Acker as Rachel Conroy, Dean Winters as John Haplin, John Patrick Amedori as Andrew Haplin, Sarah Gadon as Georgia Bravin, Jay Paulson as Larry Root Beer’ Rogers, Robert Wisdom as Roger Hobbes and Sam Neill as Merritt Grieves.
The series is from ABC Studios. Josh Appelbaum, Andre Nemec and Scott Rosenberg are executive producers and co-writers. The pilot was directed by Gary Fleder, who is also an executive producer.
Sean’s Take: Again… series length? What is up with ABC and the mini-series length show concepts going to full series? My feeling is pretty much a disaster here.
The Hecks are a middle class family living in the middle of Indiana, just trying to keep their heads above water. Emmy-winner Patricia Heaton stars as a wife and mother of three in a comedy about raising a family and lowering your expectations.
“The Middle” stars Patricia Heaton as Frankie, Neil Flynn as Mike, Eden Sher as Sue, Atticus Shaffer as Brick and Charlie McDermott as Axel.
The series is produced by Warner Bros. Television. Eileen Heisler and DeAnn Heline are executive producers/writers and Werner Walian is producer. The pilot was directed by Julie Anne Robinson.
Sean’s Take: Eh. Standard sitcom fare, very bland and middle of the road. This is the network that kept According To Jim on the air for eight seasons, this one will probably last for some time.
Today’s American families come in all shapes and sizes. Shot from the perspective of an unseen documentary filmmaker, this comedy takes a modern look at the complications that come with being a family in 2009.
“Modern Family” stars Ed O’Neill as Jay, Sofa Vergara as Gloria, Jesse Tyler Ferguson as Mitchell, Eric Stonestreet as Cameron, Ty Burrell as Phil, Julie Bowen as Claire, Sarah Hyland as Haley, Rico Rodriguez as Manny, Nolan Gould as Luke and Ariel Winter as Alex.
The series is produced by Twentieth Century Fox Television. Steven Levitan and Christopher Lloyd are executive producers. The pilot was directed by Jason Winer.
Sean’s Take: I liked this show when it was called Sherman Oaks (except the filmmaker played a role in that). Could be funny, will have to see an episode before I pass final judgment.
From Mark Burnett, executive producer of “Survivor” and “The Apprentice,” and Sony Pictures Television comes “Shark Tank,” an exciting new reality show that gives budding entrepreneurs the chance to make their dreams come true and become successful and possibly wealthy business people. But the entrepreneurs must first try to convince five tough, multi-millionaire tycoons to part with their own hard-earned cash and give them the funding they need to jumpstart their ideas.
In these trying economic times, it’s difficult for an individual possessing a dream or even a working small business poised for growth to get a loan for a risky venture. Whether it be an imaginative enhancement for an existing product, a family recipe that has all the ingredients to become a profitable culinary treat, or the latest technological gadget that could take the world by storm, most of these dreams die an early death because no one dared take a financial chance on someone with an unproven and oftentimes outrageous proposal. Many of these people now see “Shark Tank” as their last chance at success. Some have been laboring on their ideas for years or even decades, have invested large amounts of money, and are being pressured to throw in the towel by friends and family. Others have simply never had access to the means to live out their dreams, until now.
Enter the Sharks of “Shark Tank” Barbara Corcoran (Manhattan real estate titan), Kevin Harrington (king of infomercials), Robert Herjavec (technology tycoon), Daymond John (fashion mogul) and Kevin O’Leary (venture capitalist) five multi-millionaires who lifted themselves up by their bootstraps to make their own entrepreneurial dreams come true and turned their ideas into empires.
Each week ambitious entrepreneurs from across the country will present their breakthrough business concepts, products, properties and services to the panel of ruthless investors. Their goal is to convince these merciless moguls to invest their own dollars in the concept. Convincing real-life millionaires to part with their own money is no easy task, because when the idea is poor, the Sharks will tear into the ill-prepared presenters and pass on the idea with a simple, “I’m out!” — sending them running for the exit.
But these Sharks aren’t just out for blood, they too have a goal: to own a piece of the next big idea. Entrepreneurs will be asked to give up a percentage of their companies’ equity to the Sharks in order to get the investment they need. But when the Sharks hear a really top-notch idea, and more than one of them wants to sink their teeth into it, a war between them will erupt. Then the once-desperate entrepreneur can rejoice when the Sharks reveal their true interest in the product and bid up the price of the investment.
Sean’s Take: Well, this is based on the British show called Dragon’s Den. If they do it in limited “cycles” like other reality shows, it may work. I love the original version, but how many times has a USA network screwed up a British concept?
“V” is a re-imagining of the 1980’s miniseries about the world’s first encounter with an alien race in which the aliens call themselves The Visitors, and have a seemingly friendly agenda that may or may not be a cover for something more malevolent.
“V” stars Elizabeth Mitchell as Erica Evans, Morris Chestnut as Ryan Nichols, Joel Gretsch as Father Jack Landry, Lourdes Benedicto as Valerie Stevens, Logan Huffman as Tyler Evans, Laura Vandervoort as Lisa, with Morena Baccarin as Anna and Scott Wolf as Chad Decker.
The series is produced by HDFilms in association with Warner Bros. Television. Scott Peters is executive producer/writer and Steve Pearlman and Jace Hall are executive producers. The pilot was directed and executive produced by Yves Simoneau.
Sean’s Take: Could be great, could be horrible. The V mini-series was great, V: The Final Battle was okay, V: The Series was a complete train wreck. This is a “re-imagining”, but I am sure the basic concepts will stay intact, but lets just hope there is no “star child” malarky to mess the whole thing up.
I know I didn’t do this with the Fox line-up, but there is something really glaring at me in ABC’s schedule: Wednesday night is all new. I’m not sure I can ever remember a network taking a gamble like that. There is no proven show to anchor the night, and that is a huge risk for them to give it a go.
Also, moving Ugly Betty to Friday nights is a bad sign this show is on its last legs. Friday’s are like the graveyard of the television schedue, so I wouldn’t be surprised if we see it go for a limited run this year.
It looks like ABC is going to stir things up this year, and I’m not so sure they’re doing it in the right way.