@JaYaws hah! I had the same reaction. I like him as Felix.
NBC has announced its 2013/2014 schedule, and it’s making a lot of scheduling changes. New shows are in all caps, and all times are Eastern.
Show descriptions at the “Continue Reading” link
Based on the best-selling Nick Hornby (“High Fidelity,” “An Education”) novel, writer Jason Katims (“Friday Night Lights,” “Parenthood”) and director Jon Favreau (“Iron Man,” “Revolution”) present a different kind of coming-of-age story. Will Freeman (David Walton, “Bent,” “Perfect Couples”) lives a charmed existence as the ultimate man-child. After writing a hit song, he was granted a life of free time, free love and freedom from financial woes. He’s single, unemployed and loving it. So imagine his surprise when Fiona (Minnie Driver, “Good Will Hunting,” “Barney’s Version”), a needy single mom and her oddly charming 11-year-old son, Marcus (Benjamin Stockham, “1600 Penn”), move in next door and disrupt his perfect world. When Marcus begins dropping by his home unannounced, Will’s not so sure about being a kid’s new best friend, until, of course, Will discovers that women find single dads irresistible. That changes everything and a deal is struck: Marcus will pretend to be Will’s son and, in return, Marcus is allowed to chill at Will’s house. Before he realizes it, Will starts to enjoy the visits and even finds himself looking out for the kid. In fact, this newfound friendship may very well teach him a thing or two that he never imagined possible – about himself and caring for others. Writer Jason Katims, director Jon Favreau, Tim Bevan (“Les Misérables,” “About a Boy”), Eric Fellner (“Les Misérables,” “About a Boy”), Liza Chasin (“Les Misérables,” “About a Boy”), Robert De Niro (“About a Boy,” “Meet the Parents”) and Jane Rosenthal (“About a Boy,” “Meet the Parents”) serve as executive producers. “About a Boy” is a production of Universal Television, Working Title Television, True Jack Productions and Tribeca Productions.
Sean’s Take: I love Nick Hornby, but this is an ongoing series done up by TV writers. This will fail… it will fail spectacularly. The “man-child” concept has been done to death.
It’s not every family that’s brought closer together by divorce, but then again, the Fishers aren’t exactly typical. Take Mel Fisher (J.K. Simmons, “The Closer,” “Law & Order”), for example. Whether it’s chopping down trees, showing his daughter how to drive or playing football with his son, he’s never let the fact that he’s blind slow him down. Then there’s Joyce Fisher (Parker Posey, “Louie,” “For Your Consideration”), possibly the only mom in Pasadena to smoke a pipe. For her, divorce is like a second coming of age, a chance to be the teen she never was. Just ask ’80s-obsessed teenage daughter Katie (Ava Deluca-Verley, “Southland”), whose clothes Joyce is always borrowing. At the center of all this is Henry (Eli Baker), the Fisher’s 11-year old son. Having always been his dad’s eyes, ears and wingman, Henry’s less than thrilled when Mel shows up with Elvis, a guide dog… which is also how Henry learns about the pending divorce. While reluctant to the changes this dog would bring, it’s through the adult Henry’s voice-over (Jason Bateman, “Arrested Development”) that we find out his parent’s split would “allow all of us to finally discover who we needed to be.” Writer DJ Nash (“Up All Night,” “Guys with Kids”), Jason Bateman and Jim Garavente serve as executive producers. “The Family Guide” is a production of Universal Television and Aggregate Films.
Sean’s Take: Well, here’s a bad sign for you, Parker Posey has left the series. The pilot will probably be reshot because of this, but cast members jumping out that early is never a good sign.
Look who’s making the news again. One of New York’s most beloved news anchors, Mike Henry (Michael J. Fox, “Spin City,” “Family Ties”), put his career on hold to spend more time with his family and focus on his health after he was diagnosed with Parkinson’s disease. But five years later, with the kids busy growing up and Mike growing restless, it just might be time for him to get back to work. Having never wanted Mike to leave in the first place, his old boss Harris Green (Wendell Pierce, “The Wire,” “Treme”) jumped at the chance to get him back on TV. The trick, as it’s always been, was to make Mike think it was his idea. Now the plan is in motion and Mike will be back to juggling home, family, and career – just like the old days, but only better. Writer Sam Laybourne (“Cougar Town”), director Will Gluck (“Easy A,” “Friends with Benefits”) and Fox serve as executive producers. “The Michael J. Fox Show” is a production of Sony Pictures Television and Olive Bridge Entertainment.
Sean’s Take: Fox has always been able to charm his way through any role. Considering his personal health issues, which is the basis of the series, it will have a strong start, but writing will need to carry it eventually. I think it has a shot, though.
Sean (Sean P. Hayes, “Will & Grace”) is a divorced gay dad who juggles a lot – his successful but demanding career, offbeat employees, pushy mom Lorna (Linda Lavin, “Alice”) and weekends with his teenage daughter, Ellie (Sami Isler). So when she moves in full-time, it’s a whole new world. Never one to do anything halfway, Sean’s intent on being the best dad ever, so he loads up on parenting how-to books and plans Pinterest-worthy family dinners. But it seems his company’s new owner has decided Sean and his team should work longer hours, putting a damper on his homemaking plans and throwing a kink in Sean’s perfectly constructed work/life balance. Ellie sees this development as a plus. She loves her dad, but he’s clearly going overboard. From keeping his boss happy, employees motivated and enduring his mother’s tactless “advice” to raising a smart, grounded and healthy kid, it’s going to be a growing experience, to say the least. But if anyone can handle it all, it’s Sean. Thomas Lennon (“Reno 911”), Lindsay Sloane (“Weeds”) and Echo Kellum (“Ben and Kate”) also star. Writer Victor Fresco (“Go On,” “Mad About You”), director James Burrows (“Friends,” “The Big Bang Theory”), Sean P. Hayes (“Hot in Cleveland,” “Grimm”) and Todd Milliner (“Hot in Cleveland,” “Grimm”) serve as executive producers. “Sean Saves the World” is a production of Universal Television and Hazy Mills Productions.
Sean’s Take: I will be surprised if this gets past six episodes.
When confident slacker Danny Beeman (Chris D’Elia, “Whitney,” “Glory Daze”) takes Justin (comedian Brent Morin) on as a roommate, Danny unwittingly inherits Justin’s group of romantically challenged friends. Seeing himself as the ultimate player, Danny decides to teach the crew (who he dubs “The Undateables”) everything he knows about “the game of love.” For their first lesson, Danny takes the guys to an event hosted by his sister, Leslie (Bianca Kajlich, “Rules of Engagement”), who is a single mom with dating difficulties of her own. At first, Danny’s advice seems to pay off big-time: The shy guy talks to a girl, the no-filter dude learns it’s never OK to ask a woman when she’s due, and his nebbish roommate, Justin, goes home with a mystery woman. It’s not until the next day that they figure out it was Leslie. Here’s a refreshing comedy about the “do’s,” “don’ts” and “duhs” of dating. Writer Adam Sztykiel (“Due Date”), Bill Lawrence (“Scrubs,” “Cougar Town”) and Jeff Ingold serve as executive producers. “Undateable” is a production of Warner Bros. Television and Doozer Productions.
Sean’s Take: “What do you think if we take Big Bang Theory and make Penny a guy? and throw in some New Girl?”
Parents Dan Yoder (Mike O’Malley, “Glee,” “My Name Is Earl”) and wife Karina (Mary McCormack, “In Plain Sight,” “The West Wing”) find out on the day their daughter Molly (Ella Rae Peck (“Deception,” “Gossip Girl”) is graduating from high school with an acceptance to college, she announces she pregnant. Across town in East L.A., Junior Hernandez (Joseph Haro, “Glee,” “Awkward”), in the middle of his high school valedictorian speech, gets a text from girlfriend Molly that he’s going to be a daddy. Expectedly, Junior’s parents Miguel (Ricardo Chavira, “Desperate Housewives”) and Lisette (Justina Machado, “Six Feet Under,” “ER”) are also upset, as they now have Caucasians in the family. What follows is a crash course in culture blending as Molly and Junior decide they want to get married and, in doing so, bring together two very different families. The dads have the most difficult time reconciling while the moms take a softer approach to get to know one another. When the parents fully realize that their kids are serious about making a life together, the adults exhale and begin to come to terms with this new blended family and start to understand it will take, humor, love and tolerance to make it all work. Writer Mike Sikowitz (“Rules of Engagement,” “Friends”) and Jamie Tarses (“Happy Endings, “Franklin & Bash”) serve as executive producers. “Welcome to the Family” is a production of Sony Pictures Television and FanFare Productions.
Sean’s Take: Been there, done that. This concept has never really worked, and I highly doubt it will this time around either.
Levitation, telekinesis, the ability to control nature and even predict the future… Since she was 2 years old, Bo (Johnny Sequoyah) has had gifts she could neither fully understand, nor control. Raised by a small group known as the “True Believers,” the orphaned girl has been safeguarded from harmful outsiders who would use her forces for personal gain. But now that she is 10, her powers have become stronger and the threat has grown more dangerous. With her life and future now in jeopardy, the “Believers” turn to the only person they see fit to be her full-time protector. That is, once they break him out of jail. Tate (Jake McLaughlin), a wrongfully imprisoned death row inmate who’s lost his will, is initially reluctant until he witnesses one of her extraordinary abilities. Bo sees people for who they truly are… and who they may become. Tate and Bo begin their journey, one in which trust must be earned. Traveling from city to city, every place they stop and everyone they meet will be changed forever. But they’ll have to keep going to stay one step ahead of the sinister forces after Bo’s power… because it will take a miracle to keep them safe forever. “Believe” also stars Delroy Lindo and Kyle MacLachlan. Writer, director Alfonso Cuaron (“Children of Men,” “Harry Potter and the Prisoner of Azkaban”), Mark Friedman (“The Forgotten”), J.J. Abrams (“Revolution,” “Star Trek: Into Darkness”) and Bryan Burk (“Lost,” “Fringe”) serve as executive producers. “Believe” is produced by Warner Bros. Television and Bad Robot Productions.
Sean’s Take: Intriguing. J.J. Abrams doesn’t always mean a hit series, and this sounds a little too close to shows such as Quantum Leap, Journeyman, Highway to Heaven and so on, but NBC has an odd track record with supernatural shows working… and sometimes not working.
The embeddable trailer for “The Blacklist” is now available at http://www.nbc.com/upcoming-shows/press. For decades, ex-government agent Raymond “Red” Reddington (James Spader, “The Office,” “Boston Legal”) has been one of the FBI’s Most Wanted fugitives. Brokering shadowy deals for criminals across the globe, Red was known by many as “The Concierge of Crime.” Now, he’s mysteriously surrendered to the FBI with an explosive offer: He will help catch a long-thought-dead terrorist, Ranko Zamani, under the condition that he speaks only to Elizabeth “Liz” Keen (Megan Boone, “Law & Order: Los Angeles”), an FBI profiler fresh out of Quantico. For Liz, it’s going to be one hell of a first day on the job. What follows is a twisting series of events as the race to stop a terrorist begins. What are Red’s true intentions? Why has he chosen Liz, a woman with whom he seemingly has no connection? Does Liz have secrets of her own? Zamani is only the first of many on a list that Red has compiled over the years: a “blacklist” of politicians, mobsters, spies and international terrorists. He will help catch them all… with the caveat that Liz continues to work as his partner. Red will teach Liz to think like a criminal and “see the bigger picture”… whether she wants to or not. “The Blacklist” also stars are Diego Klattenhoff (“Homeland”), Harry Lennix (“Man of Steel”), Ryan Eggold (“90210”) and Ilfenesh Hadera (“Da Brick”). Writer Jon Bokenkamp (“The Call,” “Taking Lives”), John Eisendrath (“Alias”), John Davis (“Gulliver’s Travels,” “Predator”) and John Fox serve as executive producers. The pilot was directed by Joe Carnahan (“The A-Team,” “The Grey”). “The Blacklist” is a production of Sony Pictures Television and Davis Entertainment.
Sean’s Take: It strikes me as a bit too Silence of the Lambs, but it intrigues me for some reason. How will it do? Hard to predict on this one.
District 21 of the Chicago Police Department is made up of two distinctly different groups: The uniformed cops who patrol the beat and deal with street crimes, and the intelligence unit, the team that combats the city’s major offenses, such as organized crime, drug trafficking and high-profile murders. Leading the intelligence team is Sgt. Hank Voight (Jason Beghe), a man not against skirting the law in the pursuit of justice. Demanding and tough, only those who can take the heat survive under Voight’s command. Take Det. Antonio Dawson (Jon Seda), for example. Despite a troubled history with his boss, Dawson has ambitions of running the unit. If that means facing off against Voight every day, he’ll persevere. From the street cops with dreams of moving up to the elite crew who are already in, “life on the job” is a daily challenge. Dick Wolf, Matt Olmstead, Michael Brandt, Derek Haas, Peter Jankowski, Danielle Gelber and director Joe Chappelle serve as executive producers. “Chicago PD” is a production of Universal Television and Wolf Films.
Sean’s Take: So NBC had a modest hit with Chicago Fire, so there has to be a spinoff? Eh, it’ll probably last a bit, but don’t expect anything huge from it.
It’s field trip day for the students of Ballard High School, a place that educates the children of Washington, D.C.’s elite, top-of-their-industry CEOs, international diplomats, political power players and even the president’s son. But when their bus is ambushed on a secluded rural road, the teenagers and their chaperones are taken, igniting a national crisis. Now with some of the country’s most powerful parents at the mercy of one vengeful mastermind, the question arises: How far would you go and what would you become to ensure your child’s safe return? With so many parents and dignitaries put into play with nowhere to turn and no one to trust, this unthinkable scenario grows from the select families at risk to an entire nation at stake. From writer/producer Rand Ravich (“Life,” “The Astronaut’s Wife”) and starring Dermot Mulroney (“The Grey,” “My Best Friend’s Wedding”), Gillian Anderson (“The X-Files,” “Hannibal”), Lance Gross (“Tyler Perry’s House of Pain,” “The Last Fall”) and Rachael Taylor (“Transformers,” “Red Dog”), “Crisis” is an emotionally charged action thriller. Writer Rand Ravich, Far Shariat (“Life,” “I Love You Phillip Morris”) and director Phillip Noyce (“Salt,” “Patriot Games”) serve as executive producers. “Crisis” is from 20th Century Fox Television.
Sean’s Take: How can this possibly last more than one season? It sounds like the plot to a season of 24, not an ongoing series of its own. It won’t last.
It’s 1715 on the Bahamian island of New Providence, the first functioning democracy in the Americas, where the diabolical pirate Edward Teach, aka Blackbeard (John Malkovich, “(In the Line of Fire”), reigns over a rogue nation of thieves, outlaws and miscreant sailors. Part shantytown, part marauder’s paradise, this is a place like no other on earth, and a mounting threat to international commerce. To gain control of this fearsome society, Tom Lowe, a highly skilled undercover assassin, is sent to the pirates’ haven to take down the brilliant and charismatic Blackbeard. But the closer Lowe gets, the more he finds that his quest is not so simple. Lowe can’t help but admire the political ideals of Blackbeard, whose thirst for knowledge knows no bounds. But Lowe is not the only danger to Blackbeard’s rule. He is a man with many villainous rivals and one great weakness, a passionately driven woman whom he cannot deny.
Writer Neil Cross, Walter F. Parkes, Laurie MacDonald and Ted Gold serve as executive producers. “Crossbones” is a production of Universal Television, Parkes/MacDonald Productions and Georgeville Television.
Sean’s Take: I predict doom. I can’t see this working on a network’s budget, but of course I thought Revolution wouldn’t work either for that reason and it’s returning.
Golden Globe winner Jonathan Rhys Meyers (“The Tudors”) stars in this provocative new drama as one of the world’s most iconic characters. It’s the late 19th century and the mysterious Dracula (Rhys Meyers) has arrived in London, posing as an American entrepreneur who wants to bring modern science to Victorian society. He’s especially interested in the new technology of electricity, which promises to brighten the night – useful for someone who avoids the sun. But he has another reason for his travels: He hopes to take revenge on those who cursed him with immortality centuries earlier. Everything seems to be going according to plan… until he becomes infatuated with a woman who appears to be a reincarnation of his dead wife. Victoria Smurfit (“About a Boy”), Thomas Kretschmann (“King Kong”), Jessica De Gouw (“Arrow”), Oliver Jackson-Cohen (“Mr. Selfridge”), Nonso Anozie (“Game of Thrones”) and Katie McGrath (“Merlin”) also star. Writer Daniel Knauf (“Carnival”), Tony Krantz, (“24,” “Sports Night”), Colin Callender and Gareth Neame (“Downton Abbey”) serve as executive producers. “Dracula” is a production of Flame Ventures, Sky Living, Playground Entertainment, Universal Television, NBCUniversal International Television Production and Carnival Film & Television.
Sean’s Take: “Hey, CBS did well with Elementary, and there is a Sherlock series in England doing well, what public domain characters can we plunder?”
In the gritty world of the NYPD, no one’s tougher than Det. Robert Ironside (Blair Underwood, “The Event,” “In Treatment”). He’s a fearless cop who won’t stop until the guilty are brought to justice. He and his trusted, handpicked team of specialists – Virgil (Pablo Schreiber, “The Wire” “Lights Out”), Holly (Spencer Grammer, “Greek,” “As the World Turns”) and Teddy (Neal Bledsoe, “Smash,” “Ugly Betty”), as well as his former partner Gary (Brent Sexton, “The Killing”) and boss, Det. Ed Rollins (Kenneth Choi, “Sons of Anarchy”) – will do whatever it takes to solve New York’s most difficult and notorious crimes. As a detective, Ironside’s instincts are second to none, and those around him have to stay on their toes if they want to keep up because when his spine was shattered by a bullet two years ago, Ironside swore he’d never let a wheelchair slow him down. Writer Michael Caleo (“Rescue Me,” “The Sopranos”) Teri Weinberg (“Ugly Betty”), John Davis, John Fox, Ron West and David Semel (“Heroes”) serve as executive producers. “Ironside” is a production of Universal Television, Davis Entertainment, Yellow Brick Road Productions.
Sean’s Take: Really? This is really happening? There was a huge demand in this world to revive this property? Who knows, you never know where police series will go, but I just don’t see this surviving.
Welcome to the night shift, where every day is a fight between the heroic efforts of saving lives and the hard truths of running a hospital. At San Antonio Memorial, the men and women who work the wee hours are a special breed, particularly adrenaline junkie T.C. Callahan (Eoin Macken, “Merlin”). After a grueling tour of duty in the Middle East, T.C. is about to learn that his toughest battles will be fought right at home. He and his irreverent team of late-night docs, including Topher (Ken Leung, “Lost”) and Drew (Brendan Fehr, “Roswell”), know how to let off steam with the casual prank or two, but when lives are at stake they are all business. Unfortunately, the night shift is now under new management and boss Michael Ragosa (Freddy Rodriguez, “Six Feet Under”) is more interested in cutting costs than helping people. But T.C. has never met a rule he couldn’t break, or a person he won’t stand up to. And it’s clear that not even his ex-girlfriend (Jill Flint, “The Good Wife”) who is a doctor and now Ragosa’s second in charge, has a chance at keeping him in line. If Ragosa wants a war, he’ll get one. Writers Gabe Sachs and Jeff Judah (“Diary of a Wimpy Kid,” “Freaks and Geeks”) and Pierre Morel (“Taken”) serve as executive producers. “Night Shift” is a production of Sony Pictures Television.
Sean’s Take: A doctor who breaks the rules? A hospital exec that just wants to cut costs? Prank pulling doctors who actually are good at their job? Did someone put every medical show cliche on a dartboard and whatever they hit they threw it in? Ever since ER networks have been trying to fire off a new medical series, but this one just screams so many retread ideas I just can’t see it making it… and the promo picture alone drives me nuts.
New Alternative Series
“The Million Second Quiz” is a state-of-the-art, electrifying new live competition where contestants test the limits of their knowledge, endurance and will to win as they battle each other in intense bouts of trivia for 12 consecutive days and nights. Live from a gigantic hourglass shaped structure in the heart of Manhattan, this setting will also serve as the living quarters of the reigning champions – the four players who have remained in the game the longest. The show will be the first fully convergent television experience, where viewers will be able to play along at home in real time and sync to the live primetime broadcast. When the million seconds draw to a close, the champions will battle it out and the ultimate winner could claim an unprecedented cash prize of up to $10 million. Stephen Lambert, Eli Holzman and David A. Hurwitz serve as executive producers. “The Million Second Quiz” is produced by All3 Media America, Studio Lambert and Universal Television.
Sean’s Take: NBC does well with the launches of game shows and then kills them with overexposure.
The table is set for the ultimate culinary clash in this one part cooking competition, one part game show. Host Adam Richman (“Man v. Food”) will give homegrown amateur cooks the chance to test their skills against professional chefs. Every down-home cook has that one signature dish or secret family recipe that always gains favor with friends and family. Now, imagine going head to head in the kitchen against five professional chefs, who try to cook your specialty dish even better than you in the hopes of winning over a dinner party made up of the American public. With each savored victory, the cash prize gets bigger and bigger as the home cooks rise to every challenge and outcook the professional chefs. Think you’ve got what it takes to serve up the competition? Ben Silverman, Tim Puntillo, Chris Grant and Jimmy Fox serve as executive producers. “Food Fighters” is a production of Universal Television and Electus.
Sean’s Take: Food shows are hot… in 2010 and 2011. They still have some fire to them, but we’ll just have to see.
America’s top designers, builders, architects and landscapers go head-to-head each week, putting their talents to the test on extreme home renovations. They’ll tackle spaces that are architecturally diverse, resulting in epic transformations with impeccable design. These incredible transformations will be judged by host Nate Berkus and a panel of experts to determine which team achieved the best results. The losing team will then be forced to send one team member home. In the live finale, the two remaining competitors will each design and renovate a home on their own, bringing their unique visions to life. America will then vote and crown one contestant the winner. Finally, the two spectacular homes will be given away to two lucky viewers! Nate Berkus, Craig Plestis and Tom Shelly serve as executive producers. “American Dream Builders” is a production of Universal Television.
Sean’s Take: Who knows. Seems a better fit to HGTV for me.