3
Jul
2007

Well, the day has come. After nearly a year of whining, fearing, and dreading, the Transformers movie has been unleashed on the world. I know what you’re all waiting for, was it as I bad as I expected?

No.

It was worse.

This is totally ignoring the changes from the cartoon, the toys, the comic books, and everything else, this is judging it simply as a movie, and to be blunt, it is a giant mess. Poorly shot, a thread bare script, zero character development, and even poor make-up! There are several embryos of good ideas here that quickly get killed off by taking the movie in a totally different direction at a moments notice.

This is a typical Michael Bay film in some ways, and in other ways, it almost feels like he was overwhelmed by the enormity of the property. It appears he wanted to focus on the human aspect of the story so that the audience could relate to the story more, but his human characters come off as more caricatures and archetypes than the robots did. Characters are defined by one to two lines of dialogue at most, and are disposable and interchangeable. Even though a good chunk of the movie is devoted to the humans, they get the lions share of the first hour, you never care about them. You see some characters die a bloody death that have been there since the opening shots of the credits, and you couldn’t care less they are gone.

When all else fails, they added more characters! Yes, what would a movie with aliens, even giant robots, be without a “We-know-better-than-anyone-else” top secret government organization? Oh yeah, we had one, a group named Sector 7. Why not just make them part of the Defense Department since we already had those characters involved? Instead, John Turturro comes into the film as the gung-ho, pain-in-the-butt government agent. The poor guy is wasted, and he plays it so over-the-top, it’s downright painful to watch.

Then there’s Megan Fox as Mikaela, the hot bodied teenage girl that Shia LaBeouf’s Sam Witwicky is trying desperately to impress. Now, when we meet her, she’s the stereotypical girl who dates the captain of the football team, but just happens to have been taught cars by her dad. Okay, bit thin, but no problem. However, once Sector 7 is brought in, Agent Simmons informs Sam that his little girlfriend has a juveniele record, and her dad was a car thief. That’s how she learned cars. Um… the other explanation wasn’t enough? You had to muddy the waters, and take up even more time, by adding a shady past to her? What purpose did it serve but to burn more screen time? Yes, she hot wires a tow truck at the end, but she could have known that from the first explanation, you didn’t need to waste more time with a pointless story aspect.

It may seem like a small thing, but it is just one example of many I could give of how this movie wasted valuable time on silly matters that did nothing to further the story. Easily a half-hour could have been cut from this film and you wouldn’t have even noticed. As it was, there was an obvious cut scene earlier in the film between Sam and Mikaela that was missing as Mikaela thanks Sam for the fun time… that we have no clue what she’s referring to.

So what about the technical aspects, the true stars of the film? Well, I mentioned make-up earlier, which does qualify in my book, and all I will say is I would love to know why Sam and Mikaela looked oily in every single shot they’re in. Even before the fights, you just want to take a wash cloth to their faces in every scene.

As for the robots themselves, the supposed stars of the film… they’re a dismal failure. At times, they look impressive as all get out, but in fight scenes, due to all the dark coloring on all aspects of the majority of them, it just becomes a big ball of black. You can’t tell who’s who unless it’s Bumblebee or Optimus Prime in the fight as they are the only ones with distinctive colors. Otherwise, your guess was as good as anyone’s as to who was fighting who in the big fights.

And their characterizations are just pathetic. Jazz and Ratchet get next to no lines, Ironhide seems to whine a lot. As for the Decepticons, they get it even worse. Megatron doesn’t show up until the end, Starscream barely speaks, Barricade is just brute force, Frenzy will make you want to kill him, Bonecrusher really only has one scene, Devestator just rolls through, Scorponok doesn’t seem to have a reason to exist except to have one fight, Blackout barely spoke… they are more set dressing with no real personalities.

There were times I could feel a good Transformers movie trying to break out, it really was there under all this mess. I could feel that child-like giddyness of seeing toys and characters I loved as a child in a real world setting. The arrival of the Autobots, the Autobots escorting Bumblebee with the Allspark, even the scene of the Autobots hiding from Sam’s dad was good. Notice though, these are all scenes focusing on the Autobots, not on the one-dimensional human characters. If someone had reminded Michael Bay the movie was supposed to be about the actual Transformers, I think he would have gotten a lot further.

It really failed on every mark though. Even the humor was just a mess and badly timed. And it also led to me finally throwing my hands up. All I’ll say is it involves Bumblebee and lubricant… you’ll know it when you see it. I threw my hands up literally, and heavily pondered walking out. It was just that bad.

I know that no matter what I say, people will still see this movie in droves, but for me, it’s more about pure laziness and sloppiness that angers me the most about this production. It appears they knew they had a money maker on their hands, so why bother with putting in actual effort and turning out a quality, well rounded, production?

22
Jun
2007

Now it’s time for the armchair quarterbacking on the AFI top 100 list.

Removed Film

 

What I Think

Guess Who’s Coming to Dinner   A fairly important film in the history of race relations. Sad to see it go.
A Place In The Sun   Eh. I think it was there for Elizabeth Taylor.
My Fair Lady   I think this was a sentimental addition the first time anyway.
The Jazz Singer   WRONG! The first talkie, and it’s not important?!?
Patton   Good film, what importance?
Frankenstein   Important to the horror genre, but one of the 100 best? I would have liked it to stay, but oh well.
Mutiny On The Bounty   Damned good film, sorry to see it go.
Fargo   One of my all time favorite films, it felt like it fit.
Giant   Ouch… sorry to see James Dean go. Never mind the Oscars and Liz Taylor.
Dances With Wolves   Good riddance.
Wuthering Heights   Never seen it.
An American In Paris   I enjoyed it, but there are better examples of the genre and style.
The Manchurian Candidate   Not sure why it was even there. Yes, maybe the politics, but I did find the acting lacking.
Close Encounters Of The Third Kind   Speilberg had enough on the list.
Stagecoach   Eh. Not a big loss. BetterWester
Rebel Without A Cause   Ouch. Is the epitome of teenage angst and set the standard. Fascinating, mesmerizing, stunning… I could go on and on.
Fantasia   Hmmm not sure about this one. Snow White stayed at least.
All Quiet On The Western Front   Didn’t deserve to be there, I feel.
Amadeus   I love the movie, but, yeah, it could come off.
From Here To Eternity   Yeah, it should have stayed. Most iconic cinematic kiss in film history, many have tried to copy, all have failed.
The Birth Of A Nation   Still not seen it, can’t really say either way.
Doctor Zhivago   Wow… not sure why this one got knocked off. I’m at a loss.

Some of the removals made sense, but other’s, like Rebel Without A Cause, are lost on me.

Added Film

 

What I Think

Toy Story   Begrudgingly, but I can see why as it really started the fully computer animated film genre.
Blade Runner   YES! This deserves to be on the list for setting a standard.
Do The Right Thing   Not seen it yet.
The Last Picture Show   mmm I’m going to say “Yes”. Launched many careers, pretty much launched the modern day, small town stories.
Sophie’s Choice   Not seen.
Swing Time   Not seen.
The Sixth Sense   Well, since I seem to be one of the few people to hate it, I guess.
12 Angry Men   Again, great film, but was it influential enough?
A Night At The Opera   With Duck Soup on the list, I’m not sure this one was needed.
Titanic   We lose Rebel Without A Cause, but this piece of crap gets added?
Sunrise   Not seen.
Spartacus   So often referenced, it fits.
All The President’s Men   Yes. It set a new standard for thrillers.
In The Heat Of The Night   Yes. I guess this replaces Guess Who’s Coming to Dinner. Still, would have been nice to see “Guess” stay.
The Shawshank Redemption   Hmmm I love it, but…
Saving Private Ryan   It seems Speilberg’s home movies will be on the next revision.
Who’s Afraid Of Virginia Woolf?   Not seen.
Cabaret   Yes. It showed musicals can be more than sap.
Sullivan’s Travels   Not seen.
Nashville   Not seen.
The Lord Of The Rings:The Fellowship Of The Ring   Nope. Not deserving. Not even close.
Intolerance   Not seen.
The General   hmmm I love Buster Keaton, but with three Chaplin films on the list, it seems a bit crowded with four silent comedies.

For all it’s faults, I think the new list makes a bit more sense. It seems a tad more focused, a LITTLE less “Oh, I remember that movie!”, and more about impact.

21
Jun
2007

The American Film Institute has updated their “100 Years 100 Films” list.

 

1997 List

 

2007 List

Change

#1

Citizen Kane

 

Citizen Kane

#2

Casablanca

 

The Godfather

+1

#3

The Godfather

 

Casablanca

-1

#4

Gone With The Wind

 

Raging Bull

+20

#5

Lawrence of Arabia

 

Singin’ In The Rain

+5

#6

The Wizard Of Oz

 

Gone With The Wind

-2

#7

The Graduate

 

Lawrence of Arabia

-2

#8

On The Waterfront

 

Schindler’s List

+1

#9

Schindler’s List

 

Vertigo

+52

#10

Singin’ In The Rain

 

The Wizard Of Oz

-4

#11

It’s A Wonderful Life

 

City Lights

+65

#12

Sunset Boulevard

 

The Searchers

+84

#13

The Bridge On The River Kwai

 

Star Wars

+2

#14

Some Like It Hot

 

Psycho

+4

#15

Star Wars

 

2001: A Space Odyssey

+7

#16

All About Eve

 

Sunset Boulevard

-4

#17

The African Queen

 

The Graduate

-10

#18

Psycho

 

The General

N/A

#19

Chinatown

 

On The Waterfront

-11

#20

One Flew Over The Cuckoo’s Nest

 

It’s A Wonderful Life

-9

#21

The Grapes Of Wrath

 

Chinatown

-2

#22

2001: A Space Odyssey

 

Some Like It Hot

-8

#23

The Maltese Falcon

 

The Grapes Of Wrath

-2

#24

Raging Bull

 

E.T. – The Extra Terrestrial

+1

#25

E.T. – The Extra Terrestrial

 

To Kill A Mockingbird

+9

#26

Dr, Strangelove

 

Mr. Smith Goes To Washington

+3

#27

Bonnie And Clyde

 

High Noon

+6

#28

Apocalypse Now

 

All About Eve

-12

#29

Mr. Smith Goes To Washington

 

Double Indemnity

+9

#30

The Treasure of the Sierra Madre

 

Apocalypse Now

-2

#31

Annie Hall

 

The Maltese Falcon

-8

#32

The Godfather, Part II

 

The Godfather, Part II

#33

High Noon

 

One Flew Over The Cuckoo’s Nest

-13

#34

To Kill A Mockingbird

 

Snow White And The Seven Dwarfs

+15

#35

It Happened One Night

 

Annie Hall

-4

#36

Midnight Cowboy

 

The Bridge On The River Kwai

-23

#37

The Best Years Of Our Lives

 

The Best Years Of Our Lives

#38

Double Indemnity

 

The Treasure of the Sierra Madre

-8

#39

Doctor Zhivago

 

Dr, Strangelove

-13

#40

North By Northwest

 

The Sound Of Music

+15

#41

West Side Story

 

King Kong (1933)

+2

#42

Rear Window

 

Bonnie And Clyde

-15

#43

King Kong (1933)

 

Midnight Cowboy

-7

#44

The Birth Of A Nation

 

The Philadelphia Story

+7

#45

A Streetcar Named Desire

 

Shane

+24

#46

A Clockwork Orange

 

It Happened One Night

-11

#47

Taxi Driver

 

A Streetcar Named Desire

-2

#48

Jaws

 

Rear Window

-6

#49

Snow White And The Seven Dwarfs

 

Intolerance

N/A

#50

Butch Cassidy and the Sundance Kid

 

The Lord Of The Rings:
The Fellowship Of The Ring

N/A

#51

The Philadelphia Story

 

West Side Story

-10

#52

From Here To Eternity

 

Taxi Driver

-5

#53

Amadeus

 

The Deer Hunter

+26

#54

All Quiet On The Western Front

 

M*A*S*H

+2

#55

The Sound Of Music

 

North By Northwest

-15

#56

M*A*S*H

 

Jaws

-8

#57

The Third Man

 

Rocky

+21

#58

Fantasia

 

The Gold Rush

+16

#59

Rebel Without A Cause

 

Nashville

N/A

#60

Raiders Of The Lost Ark

 

Duck Soup

+25

#61

Vertigo

 

Sullivan’s Travels

N/A

#62

Tootsie

 

American Graffiti

+16

#63

Stagecoach

 

Cabaret

N/A

#64

Close Encounters Of The Third Kind

 

Network

+2

#65

The Silence Of The Lambs

 

The African Queen

-48

#66

Network

 

Raiders Of The Lost Ark

-6

#67

The Manchurian Candidate

 

Who’s Afraid Of Virginia Woolf

N/A

#68

An American In Paris

 

Unforgiven

+30

#69

Shane

 

Tootsie

-7

#70

The French Connection

 

A Clockwork Orange

-24

#71

Forrest Gump

 

Saving Private Ryan

N/A

#72

Ben-Hur

 

The Shawshank Redemption

N/A

#73

Wuthering Heights

 

Butch Cassidy and the Sundance Kid

-23

#74

The Gold Rush

 

The Silence Of The Lambs

-9

#75

Dances With Wolves

 

In The Heat Of The Night

N/A

#76

City Lights

 

Forrest Gump

-5

#77

American Graffiti

 

All The President’s Men

N/A

#78

Rocky

 

Modern Times

+3

#79

The Deer Hunter

 

The Wild Bunch

+1

#80

The Wild Bunch

 

The Apartment

+13

#81

Modern Times

 

Spartacus

N/A

#82

Giant

 

Sunrise

N/A

#83

Platoon

 

Titanic

N/A

#84

Fargo

 

Easy Rider

+4

#85

Duck Soup

 

A Night At The Opera

N/A

#86

Mutiny On The Bounty

 

Platoon

-3

#87

Frankenstein

 

12 Angry Men

N/A

#88

Easy Rider

 

Bringing Up Baby

+9

#89

Patton

 

The Sixth Sense

N/A

#90

The Jazz Singer

 

Swing Time

N/A

#91

My Fair Lady

 

Sophie’s Choice

N/A

#92

A Place In The Sun

 

Goodfellas

+2

#93

The Apartment

 

The French Connection

-23

#94

Goodfellas

 

Pulp Fiction

+1

#95

Pulp Fiction

 

The Last Picture Show

N/A

#96

The Searchers

 

Do The Right Thing

N/A

#97

Bringing Up Baby

 

Blade Runner

N/A

#98

Unforgiven

 

Yankee Doodle Dandy

+2

#99

Guess Who’s Coming to Dinner

 

Toy Story

N/A

#100

Yankee Doodle Dandy

 

Ben-Hur

-28

So, what’s missing? From the original list, in reverse order:
Guess Who’s Coming To Dinner
A Place In The Sun
My Fair Lady
The Jazz Singer
Patton
Frankenstein
Mutiny On The Bounty
Fargo
Giant
Dances With Wolves
Wuthering Heights
An American In Paris
The Manchurian Candidate
Close Encounters Of The Third Kind
Stagecoach
Rebel Without A Cause
Fantasia
The Third Man
All Quiet On The Western Front
Amadeus
From Here To Eternity
The Birth Of A Nation
Doctor Zhivago

As for my thoughts on the list movements, and new entries… tomorrow. I want to think on it all for a bit, but I see some very odd trends here.

19
Jun
2007

Okay, The Dark Knight, the sequel to Batman Begins, is still filming. The Joker got me interested, and then… some more pictures surfaced.

First up, we have the new Batsuit (click any of these images for a MUCH larger version)

I like it, it’s a bit more practical; he can finally turn his head and it seems more like true armor.

But… then pictures of this… thing… showed up.

And a clearer shot

Batman has always had his “toys”, but, this thing just screams “The marketing department called, they want a motorcycle type vehicle in the product line… here’s the prototype for it… fit this in somewhere.” The rumor (not a spoiler, but a rumor) is the Tumbler (the name for the Batmobile in the last movie) gets destroyed at some point and this is either an escape vehicle, or he just uses it while he is sans-Tumbler.

What I liked about the first movie was it seemed a bit more “real world” than the usual super-hero film. Yes, it had its silly moments (Tumbler driving on roofs), but overall, it seemed a bit more real. And this movie had that same vibe up until the “Batpod”… ugh. Even the name screams “marketing department”. “The kids… they love their iPods… Batman needs a Batpod… slap that name on sumthin’!”

And excuse me, but, didn’t the last series of movies also destroy the Batmobile in… the second movie? Yeah… suddenly, my stomach is sinking.

27
May
2007

Picking up some undetermined amount of time after Pirates of the Caribbean – Dead Man’s Chest, At World’s End continues where the second film left off… Jack dead, Davey Jones under the control of the East Indian Trading Company, and all of the other regulars looking for how to bring Jack back from Davey Jones’ locker.

After a disturbing opening scene of random people being hung for association with pirates, including a small boy, we hear another pirate song we hadn’t heard yet. For some unexplained reason this thrills the men of the Trading Company, but it leads us to Singapore, for the first of many large set pieces. Elizabeth (Keira Knightly) and Barbossa (Geoffrey Rush) have come to meet Sao Feng (Chow Yun-Fat). They’ve come for a ship, but they learn that Will (Orlando Bloom) got captured stealing the equally important map they needed. When the Trading Company soldiers arrive, all hell breaks loose, and the first of may treacherous moments happens when Will, now freed, promises to deliver the Black Pearl to Sao Fen.

Really, I could sit here and recap the entire movie for you, but it would just be me jumping from set scene to set scene. Suffice to say, they get Jack back from Davey Jones locker, in an amazing scene of the Pearl sailing dry land, and then we just leap… and leap… and leap. There is a plot, but it’s convoluted and you need a chart to keep track of who currently is double-crossing who else. Basically, just suspect that at all times EVERYONE is betraying someone else.

Do all the plots get wrapped up? Yes. I really can’t think of any questions I went into this movie with that didn’t get answered. And even new questions raised in this one get answered. The storytelling IS loose, rushed, a lot of things happen just a bit too conveniently, with no rhyme or reason, they just… happen. And as much as I pride myself on enjoying movies that make sense… I didn’t really care. I like these characters, I like the setting, and I adore this huge mythos they have managed to create in these films. It’s the real world, but seen through the eyes of old sailors who have spent too much time at sea.

There is a new, unexpected twist that was fairly surprising: Is Jack Sparrow truly insane? The past two films had made you think he was off kilter, but this time out, you wonder if he is just plum certifiable. He takes talking to himself to a whole new level, that’s for sure. As you would expect though, Johnny Depp again delivers in an amazing style. You really wonder if there is anything this man can’t do sometimes.

If there is any complaint I have, and it is minor, it has to be that Will Turner never really mattered to me over the course of these films. Was it poor scripting, or poor acting on the part of Orlando Bloom? Elizabeth had a story arc, Jack is a force of nature, Will… misses his daddy? I don’t know, I just think they could have done a lot more with his character.

We have been told this is the last film, but they left it wide open for at least one more film, but it would probably be without Will and Elizabeth and would probably focus solely on Jack and Barbossa. Fine.By.Me. Bring it on. For all it’s faults, sloppy storytelling, and sometimes over indulgence, I will gladly plop down my money again at the theater and take another ride on the Black Pearl.

25
May
2007

I’ve been watching all the Star Wars movies in order this evening on cable in celebration of the first movie coming out 30 years ago today. This led to a family argument…

Yep… when did we see Star Wars (now known as Episode IV:A New Hope) for the first time? Mom and dad swore it was a year after it was released. I claimed it was September 1977, and gave them a list of reasons I was right.

I finally by proving the release date of the comics.

Never argue Star Wars with me… you WILL lose.

21
May
2007

The sequel to Batman Begins is filming, this time out, entitled The Dark Knight. This time around, my favorite Batman villain is up to bat (HA!), The Joker.

To me, The Joker demonstrates that Batman is as insane as the enemies he fights. Off-kilter, not right in his own head, and coming from a place so dark, it might scare his, supposedly, insane enemies. This concept is perfectly illustrated in Alan Moore’s classic one-shot, The Killing Joke. Two sides of the same coin, both insane, just using their insanity for different ends.

So, last week Warner Brothers launched a site named I Believe in Harvey Dent, all about the district attorney who eventually becomes the Batman enemy, Two-Face. This was followed up a few days later with a mysterious site name I Believe in Harvey Dent Too where you entered an email address, a code was sent to you, and a pixel was removed from the page, slowly reveling the first picture of Heath Ledger as The Joker.

The rest of this post is under the cut as I know some of my readers fear clowns…
Continue Reading ->

18
May
2007

Ugh.

Here are good shots of eight of the Transformers from the upcoming movie. Click any image for a super large version. And I do mean LARGE.

These designs disturb me for so many reasons. Take Franzy for instance, he’s too frail looking. Yes, he is the smallest Transformer in the movie, but that doesn’t change the fact he looks like he could be snapped by a two-year old. Starscream looks like a giant jumbled mess that you can’t make heads-or-tails out of.

I think the problem is they look over-designed. Yes, I understand Michael Bay was going for a more realistic look, but it seems like these are more about look than substance. You didn’t care in the cartoon how silly it was that Frenzy was the size of a human being in robot mode, and turned into a micro cassette in disguise mode. It was suspension of disbelief and it was fine.

Why does Optimus Prime now have lips with a guard that snaps into place while he fights? Are his robot lips THAT fragile they have to be protected? Well, if that’s the case, then… DON’T HAVE LIPS!

The new trailer is out, and in the scene where Blackout is attacking the military base, he fires what sounds like a chain gun. Um… they now fire bullets instead of energy beams? In another scene, Blackout is spinning in a jump and fires off what appears to be a big honking missile. Another projectile weapon? What the hell?!? They’re from an advanced civilization, let them have laser beams for crying out loud!

Anyway, here’s the pictures.

The Autobots
Optimus Prime
Bumblebee
Ironhide
Jazz
The Decepticons
Megatron
Starscream
Frenzy
Blackout


18
May
2007

Run.

Run far away.

Not to Far, Far Away, because that would mean running into this car wreck of a “film”. No, no, run in the total opposite direction. Save yourself this cinematic snoozefest. It literally is a snoozefest… I FELL ASLEEP! I have NEVER fallen asleep in a movie before, but during one of Shrek’s seemingly never ending stream of monologues about believing in yourself, I… *snore* huh? what? Oh god… just talking about it, I fell asleep again.

This third outing of Shrek suffers from a syndrome a lot of sequels do; the more characters, the better. Shrek 2 added Puss In Boots and Donkey and Dragon had their babies, okay, no problem. This time around though we are introduced, I’m going to estimate here, 853 more characters. Various new Princesses, lot of fairy tale villains, King Arthur, Lancelot, Merlin, Shrek and Fiona have triplets by the end of the movie… it just kept growing and getting more ridiculous by the minute. And every returning character had to have their “trademark” moment. Ugh, it just needed to end and go away.

Then there was the pacing. Oh good god, the pacing. There is a scene outside of Merlin’s where Shrek has, yet another, heart-to-heart with Arthur and I literally wanted to start snapping my fingers to count off the beats of the scene. And the problem was, halfway through the scene I started mumbling “Don’t cut from this scene back to Fiona in Far, Far Away… don’t go there… if you go there this movie will reach unsalvagable… don’t cut away now… don’t do it… oh my god they’re… Oh how Fiona!” This was the first time I checked my phone for the time, and prayed for a text message. There was no natural rhythm to the plot, it was all done to very predictable beats.

And the humor… oh god. After the Far, Far Away scene I prayed wouldn’t happen, we cut back to Merlin’s hut, where Captain Hook is going to attack and try to capture Shrek. His henchman show up and Hook gets wheeled in with… a piano. It was odd, out of place, and made no comedic sense. The sad thing? THE WRITERS KNEW THIS! How do I know? Donkey immediately says “Oh no! He brought… A PIANO!”… you had to point the “humor” out to us? You had to point, wave a flag, and shout “LOOK EVERYONE! WE’RE WACKY AND COOL!” Apparently I fell into an episode of Family Guy with no warning.

I chuckled a couple of times, but mostly I counted the moments to the end of the movie so I could just get out of the damned theater. I luckily paid only $5 at the sneak preview, and only 23 people showed up, so that was nice.

28
Apr
2007

I was just surfing ye olde DriecTV when I flipped past Turner Classic Movies. Coming up next? Faster, Pussycat! Kill! Kill!… a Russ Meyer “classic”. Were they REALLY desperate for a movie to air?

I am just beyond shocked… a Russ Meyer film… as a “classic”… too funny.

26
Apr
2007

I recently saw this list over on AOL about what they considered the best fifteen comic book movies. I agreed with most of it, but, eh, I might as well do my own seeing as I have worked in, and around, the comic industry for 21 years, and was almost in a comic based movie once. (Stupid change of rights… I won’t go into which movie it was, and it still irks me, I was going to have a really bloody death!)

In no particular order, other than alphabetical:

Batman Begins – While I enjoyed the two Tim Burton films (I try to ignore the other two), I really felt they didn’t capture the vibe of Batman as much as they captured the sensibilities of Tim Burton. Batman Begins is much, much closer to how I view the Dark Knight. This is a man of many levels, many personal demons, and while he does good, he is not sane. Fantastic film, and I am anxious for the sequel.

Blade – Vampire movies are, by nature, usually cool. Add in a bad ass half-vampire, cool weapons, kicking techno music, and you can ALMOST ignore the huge plot hole in the final battle. (they needed a representative of all twelve tribes, you killed one off *cough*) A lot of fun, and the two follow-ups weren’t horrible.

Hellboy – Ron Perlman… poor guy is so odd looking, he always gets hidden under make-up it seems, but he can act. Great story, didn’t skimp on the occultish aspects of the mythology, and was visually pleasing. Was a good romp.

Sin City – A shot-for-shot “retelling” of the books. Proves to Hollywood you don’t HAVE to change things from comic-to-screen to make it work. Excellent film, gorgeous to look at, well acted, brilliantly casted, and amazing when you compare it to the original work.

Spider-Man – Spider-Man is one of those characters you can easily write off as a one dimensional character, but director Sam Raimi really captured that Peter Parker’s powers just enhances the trials of growing up. And, as one of the most famous comic lines ever written says, “With great power, comes great responsibility.” Excellent film, and the follow-up was just as good.

Superman – I am not a huge fan of the character of Superman. After this many years, I feel they’ve done everything they can with the character, and he is honestly just too powerful to be that interesting. I would have liked to have seen Lex Luthor handled a bit better, but oh well. It was a solid film, well told, and did a good job of bringing across the character. The second film was also fantastic… three and four don’t exist as far as I’m concerned. (And no, I haven’t seen Retruns yet.)
Tank Girl – Odd, quirky, clearly not for every one’s tastes. Very off-color humor, but a lot of fun.

V For Vendetta – I have raved about this film numerous times, and I still do. It is one of the few times I feel Hollywood changing things a lot worked. They made it a tighter, more coherent film. Add on top of everything else it had a strong statement about government, it was well done.

X-Men – It captured the essence of the X-Men and their rich history. Yes, there were a lot of changes, and the strange awkwardness of the Wolverine/Rogue attraction, but the allegory of accepting your fellow man, no matter how different, came shining through.

21
Apr
2007

Spider-Man the Broadway musical… with music from Bono and The Edge of U2. This is all sorts of wrong, not only for this character, but Broadway in general. Whatever happened to musicals written just for the stage and not based on a movie? The Lion KingThe Color PurpleThe Wedding Singer… all musicals now, and that is but a small sampling of similar shows.

Spider-Man? Really? Someone isn’t pulling my leg here? That’s just all sorts of wrong.